A Very Obsessed Man with Enormous Curtain Calls
Should I change Write All Nite’s name to Write All Curtain Calls?
Should I change Write All Nite’s name to Write All Curtain Calls?
It also me, the nonsensically-obsessed chronicler of curtain-call norms.
Does anyone remember last year’s movie Dream Horse??
The current Broadway production of A Christmas Carol utilizes different generations of stagecraft to bring this centuries-old tale back to life.
Why have I been so drawn to unconventional uses of curtain calls lately?
Baldwin and Buckley at Cambridge is at least the third example in six months of artists using their latest work to stage explicit self-castigations of their own past work.
Projections are a necessary evil in the theater world.
An unresearched, armchair, modern history of what I like to call the afterture, or: when the end of the plot isn’t the end of the musical.
First up, miscellaneous honors from the 2019-2020 (non-Broadway) theatre season.
To continue my recap of 2019 in film, we move from yesterday’s Miscellaneous Honors to today’s subject: my favorite openings and closings of the year, replete with one-line descriptions of each: