For theater geeks of a certain age, Which Way to the Stage is as reflective as art gets.
The Ocean at the End of the Lane: my favorite use of stagehands ever??
Musical biopics need a shake up.
The easiest way for a celebrity to worm their way into my heart forever?
My recap thus far of the 2018-2019 theatre season:
The One-Review Train pulls into its second stop: Broadway!
The 2017-2018 Broadway season was the most turgid in recent memory.
I want to see Kathleen Marshall’s The Royal Family of Broadway.
On its surface, Elizabeth Swados’ Runaways seems like the sort of musical that would be a perfect fit for an Encores!-style concert presentation.
This season’s productions of 21st Century Bluesand Party Face represent two sides of the same coin, reflecting the current state of the commercial landscape for off-Broadway plays.