Who Killed My Distance
And now, we return to one of Write All Nite’s favorite concepts: deliberately-ineffectual art that serves the art’s ultimate effect.
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Creation and Consumption
Even though both cinema and theater are predominantly observational mediums, they sure do like to avoid steeping the audience in observing the minute face of the act of artistic creation and audience consumption.
Wielding Artifice
How does an actor play a character who can’t find the words to express themselves?
Intentionally Mala
There’s a contradiction at the heart of one-person plays about trauma.
Circling the Drain
A musical version of Romeo and Juliet.
Toils and Troubles
Remember when two different theater companies simultaneously decided to stage (restage?) James Baldwin and William Buckley’s 1965 debate?
2019 Movies: The Stevens
The Stevens = my version of the Academy Awards, where the only member of the Academy choosing the nominees and winners for each of this hallowed — and, often, hollow — institution’s official feature-length categories (plus two, sans one; Best Picture will be tomorrow) is…me.
Yuxi
What Jexi could’ve been:
PERTH 2: With These Hands, Resistance of a Different Color
HOT FUCKING DAMN.
BERLIN: You Inherit the Sins, You Inherit the Rock and Roll Flames
From the very first song of Sunday’s three hour and 22-minute, 33-song concert in Berlin, Bruce seemed to make a point of constructing a setlist that specifically, albeit subtly commented upon the tragic history and hopeful future of this extraordinary city. One of the MANY benefits of stalking following Bruce around Europe is realizing how …
Continue reading BERLIN: You Inherit the Sins, You Inherit the Rock and Roll Flames
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