Though the West End’s Brokeback Mountain is billed as an adaptation of Annie Proulx’s original short story, most audiences will compare it to the movie.
Continue reading “On the Mountain”
Though the West End’s Brokeback Mountain is billed as an adaptation of Annie Proulx’s original short story, most audiences will compare it to the movie.
Continue reading “On the Mountain”
To be the victimized or to be the victimizer?
Continue reading “Horrified or Horrifier”
The art of Sadism for Sadism’s Sake has become a lost art at the multiplexes since torture porn’s heyday.
Continue reading “True to Title”
Here Lies Love’s pre-show is electronic music’s version of an overture.
Continue reading “Overture as Remix(es)”
Have you ever heard the theory that home-viewing curbs audience engagement, because we’re in control of the remote?
Continue reading “Pause”
While I’m in a ranking mood, here’s my complete recap of the 2022-2023 Broadway season, in order of personal preference.
Continue reading “Broadway 2022-2023”
Speaking of London theatre double–features and The National’s The Motive and the Cue:
Continue reading “The Motive and the Wireless”
In case it hasn’t been clear, I just returned from a theater theatre week in London.
When a theater complex houses multiple stages, resonances can be drawn between simultaneous productions.
Continue reading “Olivier-Lyttelton”
Johnny Flynn is the caliber of British thespian all but expected to eventually unleash his Hamlet on the world (or, at least, on London).
Continue reading “To Be…ish”