Write All Nite’s commitment to chronicling the ever-evolving iterations of The Purge series continues:
Continue reading “The Purgers”
Another Fake-Out
Remember when I wrote about how we can sometimes track a musical’s primary story through its utilization of a conventional two-act structure, specifically the self-dubbed Act One Fake-Out Anthem?
Continue reading “Another Fake-Out”
Once Upon a Novel
Warning: I’m no expert on novelizations.
Continue reading “Once Upon a Novel”
Double Features
Back to my favorite gimmick: imagined double features!
Continue reading “Double Features”
Crooked from the Horse’s Mouth
Aaaaaand here’s my comeuppance for deigning to discuss Quentin Tarantino news/rumors.
Continue reading “Crooked from the Horse’s Mouth”
Stuck in the Warehouse with You
Who am I to tell Quentin Tarantino what to do?
Continue reading “Stuck in the Warehouse with You”
Waters Me Down
And here I feared my brain was too depraved…
Continue reading “Waters Me Down”
Summer Lovin’
Summer of 85’s opening scene: “murder!!!”
Continue reading “Summer Lovin’”
Sisters without Raves
When you sit down to watch a documentary about electronic music, you expect to see some raves, right?
Continue reading “Sisters without Raves”
A Cameo Place
The first A Quiet Place establishes its “anything can happen” stakes in traditional fashion: by killing off two main characters, including the movie’s second most famous face AND — always a shocker — a child!
Continue reading “A Cameo Place”