Typecasting can be a double-edged sword.
Continue reading “The Wrath of Stifler”
Typecasting can be a double-edged sword.
Continue reading “The Wrath of Stifler”A wrinkle in yesterday’s ode to open-caption performances presents itself when dealing with writing that deliberately chooses a word that could be spelled in multiple ways.
Continue reading “From Will to Mel”Does anyone else find it difficult to decipher every word sung in a musical?
Continue reading “Accessible Clarification Clarifies Accessibility”Remember when I was worried that Roundabout would fail to properly memorialize the legacy of their dearly departed honcho?
Continue reading “Hottest Toddy”While we’re on the subject of You Hurt My Feelings:
Continue reading “You Hurt My Franzen”The defender of the theatrical experience has logged back on (I never log off).
Continue reading “Ha? Ha!”A public service request for the IFC Center:
Continue reading “PSR”Broadway’s Summer, 1976 crisscrosses with a myriad of other art from this past year (and beyond), at least in a TLDW sort of way:
Continue reading “TLDW: Summer, 1976”While we’re on the subject of natural vs. microphoned voice projection, a horrifying thought occurred to me while suffering through The Little Mermaid:
Continue reading “The Little Aid”Being able to project your voice without the help of microphones is considered a lost art for actors of the stage today.
Continue reading “Projecting”