“Wuthering Heights” was mismarketed. 

“The Bride!” lampshades its own mass derision.

Colleen Hoover is this generation’s Nicholas Sparks.

EPiC: Elvis Presley in Concert shuffles through more aspect ratios than almost any movie that I can remember, outside of the avant-garde.

Pompei: Below the Clouds is the sort of documentary that’s hard to pin down exactly what it’s about. 

A “future documentary” sounds like an oxymoron in terms.