No one told me that Flaccid Jim used HFR to shoot Billie Eilish: Hit Me Hard and Soft?!
Continue reading “Billie Finn”
Mirror Mirror
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
Fizzled
Either both of Fuze’s New York theatrical engagements happen to be plagued with the same sound problems, or the mix itself is so bad that it renders the rest of this new movie basically impossible to evaluate.
Continue reading “Fizzled”
Choir Praxis
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
Continue reading “Choir Praxis”
Did You Hear That
Straight-to-steaming movies are a dime a dozen nowadays, a trend that has given rise to a more novel phenomenon:
Continue reading “Did You Hear That”
Ring Dong
Biodocs oscillate between two registers:
Continue reading “Ring Dong”
Putting the Ex in Deus Ex Machina
Fallen Angels’ Maurice feels designed to be cast as a celebrity cameo.
Continue reading “Putting the Ex in Deus Ex Machina”
No Small Parts
There’s a meaningful disparity between Taraji P. Henson’s fame relative to the rest of her Joe Turner’s Come and Gone ensemble, and the size of her role.
Continue reading “No Small Parts”
Hide and Seek
Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
Goliath
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Write All Nite 