David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
The Most Spectacularly Lamentable Trial of Miz Martha Washington is in the reinterpretation business.
Continue reading “This Is”
The use of the camera in David Byrne’s Who is the Sky Tour roots the show closer to theater than cinema.
Continue reading “Filming Down the House”
Everyone should be familiar with the billing, “A Film by [Name of Director]”.
Continue reading “Un Film de…”
Who is Every Brilliant Thing about?
Continue reading “For the Records”
Is one month a sufficiently-respectful pause before unpacking “Wuthering Heights” spoilers?
Continue reading “Nursing”
“Wuthering Heights” was mismarketed.
Continue reading “Withered”
“The Bride!” lampshades its own mass derision.
Continue reading “Knighting”
Colleen Hoover is this generation’s Nicholas Sparks.
Continue reading “CoHolly”
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”