This year’s Infinity Pool and last year’s The Forgiven share roughly the same plot:

Horror channels its own Zeitgeist’s fears.

How do a cohort of women work together to protect themselves against societally-sanctioned rape in a secluded community?

Did someone mention animated title sequences?

‘Member illustrated opening credits??

While we’re on the topic of shrouding cinematography in obscuring darkness:

What do Women Talking, Emancipation, Lady Chatterly’s Lover and Skinamarink have in common?