On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”
On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”This year’s Infinity Pool and last year’s The Forgiven share roughly the same plot:
Continue reading “Infinity Forgiven”Different types of art can be enjoyed in different ways.
Continue reading “Head of Egg”Horror channels its own Zeitgeist’s fears.
Continue reading “Bootif”How do a cohort of women work together to protect themselves against societally-sanctioned rape in a secluded community?
Continue reading “Women of the Mist”Did someone mention animated title sequences?
Continue reading “Does Anyone Else Care?”‘Member illustrated opening credits??
Continue reading “Animated Opening Credits”According to the logline for Misty, the next production at The Shed will follow:
Continue reading “Play Gentrification for Me”While we’re on the topic of shrouding cinematography in obscuring darkness:
Continue reading “Redeeming Quality”What do Women Talking, Emancipation, Lady Chatterly’s Lover and Skinamarink have in common?
Continue reading “Hide and See”