Even though both cinema and theater are predominantly observational mediums, they sure do like to avoid steeping the audience in observing the minute face of the act of artistic creation and audience consumption.
Continue reading “Creation and Consumption”
Scripts — or is it audiences? — are too wedded to cause and effect.
Continue reading “What Does Lars’ Fox Say?”
I’ve been thinking more about how art mingles with an attentive audience’s sense of perspective, specifically the differences to this equation posed by various mediums.
Continue reading “Two in One”
Art is about exchanges of perspectives.
Continue reading “Perspectives”
The physical canvass of a book is each and every page of said book.
Continue reading “Title on Top”
History books will remember documentaries in the 2010s as the era of the celebrity hagiography.
Continue reading “Hags”
If theater is a study of bodies in space, then the medium has so far largely elided studying how Covid’s ultimate iconography fundamentally altered the ways that modern bodies relate to each other.
Continue reading “Tragicomedy”
I hereby request that more movies and stage productions subvert how audiences expect to spend their time in a theater.
Continue reading “Durable Durations”
Art can be transportive, and it can be reflective.
Continue reading “Montana Will Be My Story”
Should abstract art clarify the abstraction so that audiences can cohere it into some sort of comprehensible whole?
Continue reading “Start Making Sense by Stop Making Sense”
WRITE ALL NITE 