While we’re on the subject of You Hurt My Feelings:
Continue reading “You Hurt My Franzen”
While we’re on the subject of You Hurt My Feelings:
Continue reading “You Hurt My Franzen”The defender of the theatrical experience has logged back on (I never log off).
Continue reading “Ha? Ha!”A public service request for the IFC Center:
Continue reading “PSR”Broadway’s Summer, 1976 crisscrosses with a myriad of other art from this past year (and beyond), at least in a TLDW sort of way:
Continue reading “TLDW: Summer, 1976”While we’re on the subject of natural vs. microphoned voice projection, a horrifying thought occurred to me while suffering through The Little Mermaid:
Continue reading “The Little Aid”While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”How many movies tell stories about characters that span over one decade?
Continue reading “Mother Time”TLDW for Playwrights Horizons’ Regretfully, So the Birds Are, the new movie Other People’s Children, and Kid Cudi cameos:
Continue reading “TLDW: Regretfully, Other Cudi”TLDW for Sick of Myself, The Pope’s Exorcist, and Mafia Mamma:
Continue reading “TLDW: Sick of the Pope’s Mafia”