Remember when I was worried that Roundabout would fail to properly memorialize the legacy of their dearly departed honcho?
Continue reading “Hottest Toddy”
Remember when I was worried that Roundabout would fail to properly memorialize the legacy of their dearly departed honcho?
Continue reading “Hottest Toddy”The defender of the theatrical experience has logged back on (I never log off).
Continue reading “Ha? Ha!”Broadway’s Summer, 1976 crisscrosses with a myriad of other art from this past year (and beyond), at least in a TLDW sort of way:
Continue reading “TLDW: Summer, 1976”Being able to project your voice without the help of microphones is considered a lost art for actors of the stage today.
Continue reading “Projecting”While we’re on the subject of A Doll’s House, it’s time to unleash my treatise on how many other shows overuse Ibsen’s iconic-cum-cliché ending, a tradition I’ve dubbed Pulling a Nora.
Continue reading “Pulling a Nora”Is it possible to spoil theater’s most famous ending?
Continue reading “Her Boots Are Made for Walking”“Hii, I’m Todd Haimes.”
Continue reading “Rest in VO”It also me, the nonsensically-obsessed chronicler of curtain-call norms.
Continue reading “Roll Curtain”What’s the wisest single minute in the history of musical theater?
Continue reading “Now You Know?”Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”