The Balusters is about the changing of cultural identity.
Continue reading “Move Away”
The Balusters is about the changing of cultural identity.
Continue reading “Move Away”
Fallen Angels’ Maurice feels designed to be cast as a celebrity cameo.
Continue reading “Putting the Ex in Deus Ex Machina”
There’s a meaningful disparity between Taraji P. Henson’s fame relative to the rest of her Joe Turner’s Come and Gone ensemble, and the size of her role.
Continue reading “No Small Parts”
Who is Every Brilliant Thing about?
Continue reading “For the Records”
Midwinter Break is what I like to call a city-travelogue romance.
Continue reading “We’re Going Breaking”
Long-running revivals sell their history.
Continue reading “Jazzier”
For a variety of reasons, Princess Diana is a gay icon.
Continue reading “This Is How Your People Dance”
Simon Rich’s All franchise specializes in pulling a fast one on audiences.
Continue reading “All Over”
Punch and Urchin can be interpreted as presenting diametrically-opposed arguments regarding the utility of restorative justice.
Continue reading “Restoration”
My incontrovertibly, irrefutably, undeniably, objectively correct Mount Rushmore of ABBA bangers:
Continue reading “Mount ABBA”