Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”
Write All Nite has been screaming for Broadway to become a home to the horror genre.
Continue reading “Colman Domingo Knows”Is Broadway history happening in Manhattan this season?
Continue reading “Plural for a Reason”A production is not confined to the confines of its stage.
Continue reading “The Satire is Coming from Outside the House”Revisiting A Christmas Carol on Broadway made me realize a detail I missed regarding its generational stagecraft:
Continue reading “P.S. In the Beginning…”While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
Continue reading “Between Truth and Artifice”While we’re on the topic of looking as acting, and acting as looking:
Continue reading “Samuel L. Parsons”The current Broadway production of A Christmas Carol utilizes different generations of stagecraft to bring this centuries-old tale back to life.
Continue reading “Ghosts of Stagecraft PastPresentFuture”Sometimes, a movie adaptation of a play makes you realize new dimensions to a seemingly straightforward moment of stagecraft in the original production.
Continue reading “WWTD”Stagecraft is a physical ritual of gesture and word.
Continue reading “Rituals”There’s a noble tradition throughout the annals of musical theater history that I like to call the “Now, Ulla belt!”
Continue reading “Mueller?… Mueller?… Mueller?”