Derangements possesses a fluidity of character and time.
Continue reading “Deranging”
Derangements possesses a fluidity of character and time.
Continue reading “Deranging”
Providing an audience with pen and paper to write down their answers to a pre-show prompt isn’t a novel ask.
Continue reading “Out of Your Shell”
Taylor Mac changed how I think about art.
Continue reading “ABC”
Biographical readings of why actors choose certain roles are seductively unverifiable.
Continue reading “Old As Time”
The most site-specific “theaters” in New York are House of the Redeemer and East Village Basement.
Continue reading “Let There Be Site”
The Balusters is about the changing of cultural identity.
Continue reading “Move Away”
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
Continue reading “Choir Praxis”
Fallen Angels’ Maurice feels designed to be cast as a celebrity cameo.
Continue reading “Putting the Ex in Deus Ex Machina”
There’s a meaningful disparity between Taraji P. Henson’s fame relative to the rest of her Joe Turner’s Come and Gone ensemble, and the size of her role.
Continue reading “No Small Parts”