Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
Continue reading “Choir Praxis”
Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”
Hate Radio is Jonathan Glazer’s The Zone of Interest for the Rwandan genocide.
Continue reading “Talked to Death”
The Goat Exchange revels in intentional technical difficulties.
Continue reading “Two in One”
What operates as the Greek chorus in Alexander Zeldin’s The Other Place?
Continue reading “Dischorus”
Despite the fact that he runs his own theater, I still associate Bill T. Jones with the opulent grandeur of Lincoln Center, City Center, BAM, etc.
Continue reading “On the Bill”
Spoofs testify to the greatness of their subjects.
Continue reading “Stepback”