Biographical readings of why actors choose certain roles are seductively unverifiable.
Continue reading “Old As Time”
Category: Look Over Yonder See Them OFF-BROADWAY Lights
Let There Be Site
The most site-specific “theaters” in New York are House of the Redeemer and East Village Basement.
Continue reading “Let There Be Site”
Mirror Mirror
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
Choir Praxis
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
Continue reading “Choir Praxis”
Hide and Seek
Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
Goliath
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Non
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”
Talked to Death
Hate Radio is Jonathan Glazer’s The Zone of Interest for the Rwandan genocide.
Continue reading “Talked to Death”
Two in One
The Goat Exchange revels in intentional technical difficulties.
Continue reading “Two in One”
Dischorus
What operates as the Greek chorus in Alexander Zeldin’s The Other Place?
Continue reading “Dischorus”
Write All Nite 