Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”
Hate Radio is Jonathan Glazer’s The Zone of Interest for the Rwandan genocide.
Continue reading “Talked to Death”
The Goat Exchange revels in intentional technical difficulties.
Continue reading “Two in One”
What operates as the Greek chorus in Alexander Zeldin’s The Other Place?
Continue reading “Dischorus”
Despite the fact that he runs his own theater, I still associate Bill T. Jones with the opulent grandeur of Lincoln Center, City Center, BAM, etc.
Continue reading “On the Bill”
Spoofs testify to the greatness of their subjects.
Continue reading “Stepback”
I’ve already labeled Jasmine Amy Rogers as the rare theater chameleon.
Continue reading “Rogers is Plural”
Effortless is used as praise to describe performers, especially as they age.
Continue reading “Alive”