What’s up with the mid-play shift in A Woman Among Women?
Continue reading “Audience Among Play”
What’s up with the mid-play shift in A Woman Among Women?
Continue reading “Audience Among Play”
Derangements possesses a fluidity of character and time.
Continue reading “Deranging”
Providing an audience with pen and paper to write down their answers to a pre-show prompt isn’t a novel ask.
Continue reading “Out of Your Shell”
Biographical readings of why actors choose certain roles are seductively unverifiable.
Continue reading “Old As Time”
The most site-specific “theaters” in New York are House of the Redeemer and East Village Basement.
Continue reading “Let There Be Site”
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
Continue reading “Mirror Mirror”
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
Continue reading “Choir Praxis”
Musicals are considered a fluffy medium.
Continue reading “Hide and Seek”
David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”