Projections are a necessary evil in the theater world. 

Macbitches wrestles with the always-zeitgeisty question of whether art that depicts immorality leads to a perpetuation of that depicted immorality outside of art, for audiences and the participating artists alike.

By definition, a production’s sound design is meant to be heard. 

There’s a fundamental storytelling problem at the heart of jukebox musicals:

When you walk into JACK for White on White, the “pre”-show has already begun.