Regretting You lives in the shadow of the controversy surrounding It Ends with Us.
Continue reading “Regretting IEWU”
Regretting You lives in the shadow of the controversy surrounding It Ends with Us.
Continue reading “Regretting IEWU”
Making a movie about Bruce Springsteen’s Nebraska matches Nebraska’s artistic ethos.
Continue reading “Normies”
oh, Honey and Inter Alia revolve around the same central premise:
Continue reading “Doubling”
What if too much of too much theater is too verbal?
Continue reading “Thousand Words”
The NYU Skirball Center seems like an unlikely venue for Samuel Beckett’s Krapp’s Last Tape.
Continue reading “Krapp’s Last Space”
Punch and Urchin can be interpreted as presenting diametrically-opposed arguments regarding the utility of restorative justice.
Continue reading “Restoration”
There are two types of intermissions.
Continue reading “Intermissioning”
Hot take: Playbills should be handed out at the END of a performance.
Continue reading “Postbill”
Even though Honor was not produced by The Wooster Group, the production answered an age-old question for my fellow Wooster faithful:
Continue reading “Cannot Sit Back, Cannot Relax, Cannot Enjoy”
Ceilidh utilizes an early twist to set up the audience for the emotional gut punch that is the climactic second twist.
Continue reading “Do the Twists”