The easiest way for a celebrity to worm their way into my heart forever?
Continue reading “Something Wondrous This Way Comes”
The easiest way for a celebrity to worm their way into my heart forever?
Continue reading “Something Wondrous This Way Comes”
A topic I’ve been meaning to return to: when a non-English language movie decides not to subtitle what otherwise can’t be understood.
Continue reading “Lost and Found in Translation”
The latest FYCD:
Continue reading “FYCD2”
In the wake of the Signature Theatre’s revival of Twilight: Los Angeles, 1992, much has been made about the racial implications of turning a one-person Anna Deavere Smith play into a multi-cast affair.
Continue reading “Obscurity and Ambiguity”
Another thought on The Promise:
Continue reading “The Promise of Death”
Trends need not bear meaning, especially when they’re unintentional.
Continue reading “NBA for (Meta) Fiction”
Because I’m a fan of nuance, allow me to complicate my recent treatises on my preferred brand of art.
Continue reading “All Work and No Frame Makes Steven a Dull Boy”
Remember when I wrote about the uselessness of subjective declarations of artistic taste?
Continue reading “Useless”
Remember when I wrote about frameworks?
Continue reading “‘A’ is for Apple”
What do Being a Human Person, Val, and The Sparks Brothers have in common?
Continue reading “FYCD”