Punch and Urchin can be interpreted as presenting diametrically-opposed arguments regarding the utility of restorative justice.
Continue reading “Restoration”
Punch and Urchin can be interpreted as presenting diametrically-opposed arguments regarding the utility of restorative justice.
Continue reading “Restoration”
My incontrovertibly, irrefutably, undeniably, objectively correct Mount Rushmore of ABBA bangers:
Continue reading “Mount ABBA”
Let’s play another round of “why does this production have an intermission?”
Continue reading “Faw lty”
When doing what you love is a form of suicide.
Continue reading “Youthanasia”
What’re the odds that two separate musicals last season would have songs titled “Something from Nothing” and “Something Out of Nothing?”
Continue reading “From Out Of”
To intermission, or not to intermission?
Continue reading “Putting the Mission in…”
80% of Broadway runs lose money.
Continue reading “The 80%”
Gypsy is about how art forms shift, and how the birth of the new requires an out with the old.
Continue reading “Her Turn”
What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
The Shrouds isn’t the sole ending in theaters now that feels abrupt enough to have made both of my audiences guffaw at the sheer surprise of the credits rolling.
Continue reading “Resolute”