The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”
This season’s revivals of Our Town and King Lear cut swaths from their original texts in order to emphasize a shared theme.
Continue reading “With A Quickness”
There’s nothing more badass than an artist who follows up their most commercially successful hit by pulling an “and now for something completely different.”
Continue reading “Lineage”
I spent most of Tammy Faye unsure what to make of this new musical’s tone.
Continue reading “Right Kind of Wrong”
Am I the only person who spent most of Speak No Evil wondering what the movie would look like if James McAvoy and Scoot McNairy switched roles?
Continue reading “Speak Twice”
The dark web is a distinctly 21st-century phenomenon.
Continue reading “Welcome?”
As a Millenial Jew, I’m starting to see myself in art.
Continue reading “Spider-Man Meme”
Why did the Broadway production of Paula Vogel’s Mother Play cast its three actors according to the age of their characters at the end of the story?
Continue reading “Mother of a Play”