There’s a fine line between a reoccurring motif and rehashed recycling.
Continue reading “Good Greif”
There’s a fine line between a reoccurring motif and rehashed recycling.
Continue reading “Good Greif”
Not all product placement is out of order.
Continue reading “PP”
It’s damn-near impossible to determine the best seats in a given theater without knowing how a production is staged.
Continue reading “Seating in the Square”
If the posted runtime for a 7pm start-time reads, “two hours, with a 15-minute intermission,” do you expect the show to be done by 9pm or 9:15pm?
Continue reading “Whining”
Stephen Sondheim, master of constructing bookends.
Continue reading “Stephen Symmetry”
Back in November of 2022, Write All Nite published a list of the thespians next in line to play Mama Rose.
Continue reading “Gypsy Waitlist, Updated”
Jocelyn Bioh specializes in bringing the style of screen genres to her ensemble plays.
Continue reading “Dramauteur”
Why are musical composers obsessed with the phrase “love is love”?
Continue reading “Satirical Love is . . . ?”
Slick producing can entail tricking ticket buyers.
Continue reading “Ignore Victorious to be Victorious”
What do you call the bar that separates adjacent seats in a theater?
Continue reading “Semantics Matter”