In theory, all theater is site specific.
Continue reading “Specific to the Site”
In theory, all theater is site specific.
Continue reading “Specific to the Site”
oh, Honey and Inter Alia revolve around the same central premise:
Continue reading “Doubling”
Given the scale of the spectacle and choreography, theatergoers prefer to sit farther away from the stage for large-cast musicals.
Continue reading “Aside”
American productions grant critics an analytical privilege that’s readily available to all British audiences.
Continue reading “Inter Script”
The exact same play can land differently on either side of the pond.
Continue reading “Rock the Boat”
The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
Continue reading “Pursuing a Bear”
Let’s play another round of “why does this production have an intermission?”
Continue reading “Faw lty”
AA sponsors are mainstays in addiction narratives.
Continue reading “One Small Step”
Emma Rice’s decision to add a narrator to her stage adaption of North by Northwest leaves open the possibility that the entire production is meant to be understood as propaganda.
Continue reading “Narration Fabulation Nation”
Generally speaking — AKA, I KNOW THERE ARE EXCEPTIONS APLENTY — musicals are staged in bigger theaters than plays.
Continue reading “In Around”