Discussions about the differences between film and digital generally boil down to subjective aesthetic preference.

What you know about a movie before watching it alters how you watch.

The Nature of Love is about a gal who ditches her hubby for a paramour.

There may be a bait-and-switch afoot in Dìdi.

The sufficiently versed in Superbad will detect similarities in Dìdi.

Longlegs speaks the language of my subconscious nightmares. 

Made in England: The Films of Powell and Pressburger finishes an unofficial trilogy of documentaries about Martin Scorsese’s relationship with cinema.

Kinds of Kindness is a triptych of parables about humans who subscribe to berserk systems of belief that order their sense of reality. . . and what happens when the order becomes disordered.

Does anyone else find it weird that we’ve had three imaginary-friend movies this year, one released every other month since March?