Remember the slew of new documentaries — and May December — that explore what happens to someone’s personal life when artists come to town to adapt their existence into art?
Continue reading “Cursive”
Remember the slew of new documentaries — and May December — that explore what happens to someone’s personal life when artists come to town to adapt their existence into art?
Continue reading “Cursive”
There’s an art to making music.
Continue reading “The Music of Making Music”
Not to gamify art. . .
Continue reading “MVTH”
Consistent movie-theater-goers know that spotty presentation is a ubiquitous problem.
Continue reading “Turnt”Stop me if you’ve heard this one before:
Continue reading “Migration from Migration”
Warning: spoilers alert ahead for Shayda, Australia’s shortlist-rejected submission to this year’s Academy Award for Best International Feature, to be released in March.
Continue reading “Ask and Me Shall Receive”
Both the new movie The Iron Claw and the new TV series The Curse share a distinct cinematographic trait:
Continue reading “The Iron Curse”
The box office success of Sound of Freedom can’t be discussed without mentioning its pay-it-forward tag.
Continue reading “Destination”
Leave the World Behind has been put through the Covid ringer, transforming it into an artifact of how the Covid Era shapes contemporaneous art.
Continue reading “Left Behind”
The training montage comes in many forms, depending on the genre.
Continue reading “Make Room for Vroom Vroom”