Leave the World Behind has been put through the Covid ringer, transforming it into an artifact of how the Covid Era shapes contemporaneous art.
Continue reading “Left Behind”
Leave the World Behind has been put through the Covid ringer, transforming it into an artifact of how the Covid Era shapes contemporaneous art.
Continue reading “Left Behind”
The training montage comes in many forms, depending on the genre.
Continue reading “Make Room for Vroom Vroom”
A musical’s primary dramaturgy revolves around deciding which parts of a story to set to song.
Continue reading “Silence New Nights”
Both of Kristoffer Borgli’s 2023 releases — he wrote, directed, AND edited Sick of Myself AND Dream Scenario — are satirically-askew allegories about living in the 21st century’s attention economy.
Continue reading “Scenarios”Not one, but TWO movies wide-released on the very same day (November 17) quote famous lines from 21st century cinema WITHOUT referencing the movies they originate from, assuming their fame precedes them to such a degree that no explicit citation is necessary.
Continue reading “Two Hits”
Four recent releases explore what happens when artists come to town to turn your life into their art.
Continue reading “You Ever Eat With One?”
The global proliferation of technology has contributed to the 21st century’s documentary boom.
Continue reading “Democratization of the Camera”
Countless movies begin with the text card “Based on a true story.”
Continue reading “Based”
What’s the definition of being an arts journalist?
Continue reading “Journaling”
Wes Anderson’s The Wonderful Story of Henry Sugar = Elevator Repair Service’s Gatz.
Continue reading “Audiovisualbook”