I hold season tickets to Sean Penn’s career.
Continue reading “Notes on a Flag Day”
I hold season tickets to Sean Penn’s career.
Continue reading “Notes on a Flag Day”
I’m a season-ticket holder to the careers of artists.
Continue reading “Career Tickets”
Jonesing for a hand-drawn throwback?
Continue reading “Notes on a Cryptozoo”
Why are “based on a true story” tags placed at the beginning of movies instead of at the end?
Continue reading “Based”
Anything on screen (or stage. or the page. or a canvas. or [insert object upon which art resides here]) is fair game to interpret.
Continue reading “The Wages of Reel”
Does the deus ex machina romance between Fred Astaire and Cyd Charisse in 1953’s The Band Wagon feel unconvincingly tacked-on to anyone else?!
Continue reading “That and This Are Entertainment”
David Lynch is to Cinema what Sam Shepard is to Theatre.
Speaking of directors visually communicating an awareness of the cinematic manipulation at play in their movies:
Continue reading “Fare Thee Well”
Cinematically literalizing Freud = camp??
Body Double is the platonic ideal of Brian De Palma.
Continue reading “Stimulation, Manipulation”