The final scene of Chaos: The Manson Murders encapsulates this new documentary’s relationship to figuring out the enduring enigma that is Charles Manson.
Continue reading “It Reigns”
The final scene of Chaos: The Manson Murders encapsulates this new documentary’s relationship to figuring out the enduring enigma that is Charles Manson.
Continue reading “It Reigns”
In the Lost Lands is a Z-movie Dune: Fury Road, The Dark Tower Saga.
Continue reading “Lost No More”
Despite the vocal consternation over mass desensitization, some imagery still possesses an inherent power to provoke.
Continue reading “Third Rail”
The Fishing Place’s final scene sticks out like a sore thumb.
Continue reading “Go Fish”
Has anyone ever seen a feature-length movie with designed subtitles throughout the entire duration?
Continue reading “More than Translation”
Love Hurts contains a bit of extra-textual casting.
Continue reading “Never Say Die”
Three recent movies end with the same shot construction.
Continue reading “Down the Rabbit Hole”
Marcello Mio has inherent appeal for cinephiles of nepo-baby lineages.
Continue reading “Dadda Mia”
Remember when I hypothesized that Sony envisioned the 2024 documentary Luther: Never Too Much as a marketing slipstream in tandem with Sony’s new Luther Vandross greatest-hits compilation?
Continue reading “Never Too Much Slipstreaming”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”