Does anyone else miss when New York’s Signature Theatre would devote each season to producing multiple productions by the same playwright?
Continue reading “The Returns”
Does anyone else miss when New York’s Signature Theatre would devote each season to producing multiple productions by the same playwright?
Continue reading “The Returns”
Only a live performance can utilize the audience’s immediate responses to shape the explicit text of the show.
Continue reading “Tight Elasticity”
Three recent movies end with the same shot construction.
Continue reading “Down the Rabbit Hole”
Marcello Mio has inherent appeal for cinephiles of nepo-baby lineages.
Continue reading “Dadda Mia”
Remember when I hypothesized that Sony envisioned the 2024 documentary Luther: Never Too Much as a marketing slipstream in tandem with Sony’s new Luther Vandross greatest-hits compilation?
Continue reading “Never Too Much Slipstreaming”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
! Spoilers ahoy for The Room Next Door !
Continue reading “Tilda Tilda”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”