The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Shorties
Best Picture is the most important Academy Award.
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Droppings
In the spirit of Oscars season, here are my favorite needle-drops from 2024 Cinema, in no discernible order:
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One for What?
A song that plays over a movie’s closing credits is given pride of place in the audience’s immediate response.
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Form Content
If the subject is the content of a biodoc, then aspects of their identity can inform the documentary’s form.
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Not So Wonderful
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
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But Why Not
Ask everyone who sees Queer for a basic plot summary, and you won’t hear many mentions of Judaism, the Holocaust, nor 2001: A Space Odyssey.
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Voyage
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
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DIY
It’s always a gas to track overlaps between Under the Radar productions.
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Cameo Joe
One of Joe Pesci’s two scenes in Day of the Fight utilizes the audience’s familiarity with his oeuvre to make us feel the protagonist’s plight.
Continue reading “Cameo Joe”
Write All Nite 