Longlegs speaks the language of my subconscious nightmares.
Continue reading “Wet Nightmares”
Longlegs speaks the language of my subconscious nightmares.
Continue reading “Wet Nightmares”
Made in England: The Films of Powell and Pressburger finishes an unofficial trilogy of documentaries about Martin Scorsese’s relationship with cinema.
Continue reading “Made Man”
Brother-sister relationships were all the rage on New York stages last season.
Continue reading “Sibs”
Kinds of Kindness is a triptych of parables about humans who subscribe to berserk systems of belief that order their sense of reality. . . and what happens when the order becomes disordered.
Continue reading “Thee”
Does anyone else find it weird that we’ve had three imaginary-friend movies this year, one released every other month since March?
Continue reading “Max IF”
IMDB is an invaluable record of cinema history.
Continue reading “IMMDB”
Are the Minions the most famous original characters of 21st century cinema?
Continue reading “Not So Mini”
The new movie Fresh Kills is a women-centered A Bronx Tale.
Continue reading “Walk Two Moons”
A sea shift is afoot at Encores!, one that’s making me feel geriatric.
Continue reading “Five Feet Under”
The relationship between form and content is a bedrock of artistic expression.
Continue reading “Can You Hear Me”