My incontrovertibly, irrefutably, undeniably, objectively correct Mount Rushmore of ABBA bangers:
Continue reading “Mount ABBA”
My incontrovertibly, irrefutably, undeniably, objectively correct Mount Rushmore of ABBA bangers:
Continue reading “Mount ABBA”
The New York Times’ review of The Brothers Size bumps up against the porous border between objective journalism and subjective interpretation.
Continue reading “Size Up”
If an artist benefits from making art about an underrepresented group, should said artist try to use the rest of their career to benefit said group?
Continue reading “Take a Dink”
On November 11, 2024, some dopey website by the name of Write All Nite — by the even dopier Steven Strauss — proclaimed this prediction:
Continue reading “Told You So”
Too many movie theaters bring up the lights as soon as the closing credits start, even if there’s still an image on screen.
Continue reading “Let There Be No Light “
Given the scale of the spectacle and choreography, theatergoers prefer to sit farther away from the stage for large-cast musicals.
Continue reading “Aside”
American productions grant critics an analytical privilege that’s readily available to all British audiences.
Continue reading “Inter Script”
The exact same play can land differently on either side of the pond.
Continue reading “Rock the Boat”
Why is the barkeep the sole character not to tell a ghost story in The Weir?
Continue reading “The Keep and the Fly”
The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
Continue reading “Pursuing a Bear”