The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
Continue reading “Pursuing a Bear”
The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
Continue reading “Pursuing a Bear”
Let’s play another round of “why does this production have an intermission?”
Continue reading “Faw lty”
The stage — especially in a musical — is uniquely positioned to showcase the importance of Joy Mangano’s Miracle Mop.
Continue reading “Joy Over Oy”
When doing what you love is a form of suicide.
Continue reading “Youthanasia”
Ending a story at a point that feels premature can inspire us to consider the message conveyed by this seemingly-incomplete conclusion.
Continue reading “Edge of Apocalypse”
Welcome to the second installment of Write All Nite’s “Pulling a [Name]” series.
Continue reading “Janet and Bruce”
Typecasting comes in two forms.
Continue reading “Angry John”
AA sponsors are mainstays in addiction narratives.
Continue reading “One Small Step”
What’re the odds that two separate musicals last season would have songs titled “Something from Nothing” and “Something Out of Nothing?”
Continue reading “From Out Of”
Emma Rice’s decision to add a narrator to her stage adaption of North by Northwest leaves open the possibility that the entire production is meant to be understood as propaganda.
Continue reading “Narration Fabulation Nation”