What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
The Shrouds isn’t the sole ending in theaters now that feels abrupt enough to have made both of my audiences guffaw at the sheer surprise of the credits rolling.
Continue reading “Resolute”
Contemporary art isn’t shy about discussing abortions.
Continue reading “April Years”
My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
Most productions treat entrance applause as a mere break in the action, a pause to allow the audience to celebrate a luminary.
Continue reading “Hold Your Applause”
I’m not a fundamentalist when it comes to the use of AI in art.
Continue reading “The Clouds”
The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
2025 Cinema is becoming a chronicle of AI’s continued encroachment onto screens around the world.
Continue reading “(Art)ificial”
Name a major city in America, and I should be able to rattle off a list of countless movies famously shot set on its streets.