Conventional wisdom labels musicals as a large-stage art form.
Continue reading “Chamber Container”
Conventional wisdom labels musicals as a large-stage art form.
Continue reading “Chamber Container”
Llontop demands darting eyes.
Continue reading “On Over”
For a variety of reasons, Princess Diana is a gay icon.
Continue reading “This Is How Your People Dance”
An actor’s natural physique obviously informs their performances.
Continue reading “Embodied”
Simon Rich’s All franchise specializes in pulling a fast one on audiences.
Continue reading “All Over”
An initially-confounding staging choice can interpretatively convey a seemingly-essential message of the show.
Continue reading “Everything is Staged”
Accusing the second half of a musical as being worse than the first is such a cliché that The Producers could satirize the sentiment with one of my favorite jokes in the show.
Continue reading “Dazeem”
Magic shows are a theater trend on par with IP parody musicals, stand-up comedy plays, multi-performance staged readings, etceteras.
Continue reading “No You Don’t”
In theory, all theater is site specific.
Continue reading “Specific to the Site”
Curtain-calls function as a natural transition between the production’s constructed reality, and our IRL reality that’s waiting for us as soon as the lights come up.
Continue reading “Left Hanging”