Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.

The Goat Exchange revels in intentional technical difficulties. 

What operates as the Greek chorus in Alexander Zeldin’s The Other Place?

Despite the fact that he runs his own theater, I still associate Bill T. Jones with the opulent grandeur of Lincoln Center, City Center, BAM, etc. 

I’ve already labeled Jasmine Amy Rogers as the rare theater chameleon.