The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Ask everyone who sees Queer for a basic plot summary, and you won’t hear many mentions of Judaism, the Holocaust, nor 2001: A Space Odyssey.
Continue reading “But Why Not”
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
It’s always a gas to track overlaps between Under the Radar productions.
Continue reading “DIY”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”
Teeth’s songs skip the typical foreplay of showtunes, opting instead to immediately begin with lyrical shocks to the system.
Continue reading “Wait What’s Wet?”
On the stereotypical spectrum of high-school cliques, the jocks would be at one end, and the theater kids would be on the very opposite other side.
Continue reading “Until the Wheels Fall Off”
Read no further unless you saw Shit. Meet. Fan. at MCC.
Continue reading “Under the Fan”