This season’s revivals of Our Town and King Lear cut swaths from their original texts in order to emphasize a shared theme.
Continue reading “With A Quickness”
This season’s revivals of Our Town and King Lear cut swaths from their original texts in order to emphasize a shared theme.
Continue reading “With A Quickness”
Art has the power to permanently change your association with other pieces of art.
Continue reading “In Perpetuity”
There’s nothing more badass than an artist who follows up their most commercially successful hit by pulling an “and now for something completely different.”
Continue reading “Lineage”
Is there inherent virtue in depicting contemporary existence on stage?
Continue reading “For You”
Gatz is like a staged audiobook, with one crucial difference:
Continue reading “Beat On”
Audible’s Minetta Lane Theatre has a production dictate shared by no other company in New York:
Continue reading “Audible Only”
Contemporary musicals love to shower their audiences with confetti during a triumphant finale.
Continue reading “Bits and Bites”
I spent most of Tammy Faye unsure what to make of this new musical’s tone.
Continue reading “Right Kind of Wrong”
“There is no greater Fuck You in all the world than an old Jew lying in some forgotten graveyard in Europe with a tombstone dated 1946. Fuck. You.”
Continue reading “Living on a Prayer”
My fellow Stamptownies should be aware that one of our own has reached the big screen.
Continue reading “Our Monster”