Brother-sister relationships were all the rage on New York stages last season.
Continue reading “Sibs”
Brother-sister relationships were all the rage on New York stages last season.
Continue reading “Sibs”
A sea shift is afoot at Encores!, one that’s making me feel geriatric.
Continue reading “Five Feet Under”
The relationship between form and content is a bedrock of artistic expression.
Continue reading “Can You Hear Me”
Come for Ghostlight, stay for the comparison between how audiences comprehend dance and Shakespearean vernacular.
Continue reading “Trip the Light”
Titanic is the perfect choice for Encores!
Continue reading “All Ashore”
80% of Broadway productions lose money, a distribution I believe to be truer than not for all art, in both a commercial and qualitative sense.
Continue reading “Bad Is Better Than Nothing”
In an artistic world where it can feel like there’s nothing totally new under the sun, phrasing and context can make the old resonate anew(ish).
Continue reading “Whose Day”
Theater has never been the most responsive of art forms.
Continue reading “Two Shows”
What binds this Broadway season’s productions of Here Lies Love and Cabaret?
Continue reading “Here Lies Cabaret”
A monologue-heavy two-hander with a bare set has become all the post-Covid rage.
Continue reading “What the Staging Becomes”