If you plan to see — and you should — Public Obscenities at Theatre for a New Audience before it closes on Sunday, then take my experienced advice:
Continue reading “Right is Right”
If you plan to see — and you should — Public Obscenities at Theatre for a New Audience before it closes on Sunday, then take my experienced advice:
Continue reading “Right is Right”
If you plan to see Taylor Mac’s Bark of Millions this week, it would be wise to primer yourself beforehand.
Continue reading “Words to the Wise”
Festivals provide a cross-section of what’s tickling artists’ ivories at that specific juncture in time.
Continue reading “UTReverberations”
Art about the making of art is ubiquitous.
Continue reading “The First in Memory”
Stephen Sondheim, master of constructing bookends.
Continue reading “Stephen Symmetry”
Eric Berryman’s Get Your Ass in the Water and Swim Like Me is back at the Wooster Group’s Performing Garage through February 3; here’s what I wrote about an earlier iteration of the show from September 2022:
Continue reading “Master Wooster”
Speaking of Godra:
Continue reading “With And”
Back in November of 2022, Write All Nite published a list of the thespians next in line to play Mama Rose.
Continue reading “Gypsy Waitlist, Updated”
If you want to sell out an off-Broadway show, cast Will Brill.
Continue reading “Brillophonic”
Leave the World Behind has been put through the Covid ringer, transforming it into an artifact of how the Covid Era shapes contemporaneous art.
Continue reading “Left Behind”