Baldwin and Buckley at Cambridge is at least the third example in six months of artists using their latest work to stage explicit self-castigations of their own past work.
Continue reading “Culpability”
Baldwin and Buckley at Cambridge is at least the third example in six months of artists using their latest work to stage explicit self-castigations of their own past work.
Continue reading “Culpability”
When playing a celebrity, actors can don one of three general approaches:
Continue reading “Voodoo, Indeed”
Shakespeare’s plays reside so firmly in the public lexicon that their famous lines elicit chuckles of recognition out of audiences.
Continue reading “Radio Everywhere”
I’m on the perennial hunt for the artistically unexpected.
Continue reading “(theatric)visions”
The Wooster Group makes an art out of wielding a minimalistic approach for maximal and maximalist effect.
Continue reading “Maximalist Minimalism”
Over a year ago, I hashed out the concept of the Act One Fake Out Anthem.
Continue reading “Being an Antheme a Little”
The most underrated component of an actor’s performance: their posture.
Continue reading “Posturing”
The same joke, an ocean away:
Continue reading “The Fuccbois in the Band”
Projections are a necessary evil in the theater world.
Continue reading “Once Upon a (good?!) Projection”
When an uber fan wants to preach the gospel of Broadway, they tend to focus on the best shows Broadway has to offer.
Continue reading “Mr. Every Night”