A character’s absence in a play can say more than if they strutted and talked across the boards for its entire duration.
Continue reading “Continuity By Discontinuation”
A character’s absence in a play can say more than if they strutted and talked across the boards for its entire duration.
Continue reading “Continuity By Discontinuation”
By definition, a production’s sound design is meant to be heard.
Continue reading “What’s That Sound (Design)”
When American theatergoers first visit London, they tend to report back on one crucial difference:
Continue reading “& No Song List”
On average, plays are talky as fuck.
Continue reading “The Goold Standard”
Even though both cinema and theater are predominantly observational mediums, they sure do like to avoid steeping the audience in observing the minute face of the act of artistic creation and audience consumption.
Continue reading “Creation and Consumption”
Scripts — or is it audiences? — are too wedded to cause and effect.
Continue reading “What Does Lars’ Fox Say?”
There’s a fundamental storytelling problem at the heart of jukebox musicals:
Continue reading “Hats on Hats on Hats”
I’ve been thinking more about how art mingles with an attentive audience’s sense of perspective, specifically the differences to this equation posed by various mediums.
Continue reading “Two in One”
And now, a Write All Nite pastime:
Continue reading “The Call is Coming from Inside the Orchard”
Art is about exchanges of perspectives.
Continue reading “Perspectives”