Given the scale of the spectacle and choreography, theatergoers prefer to sit farther away from the stage for large-cast musicals.
Continue reading “Aside”
Given the scale of the spectacle and choreography, theatergoers prefer to sit farther away from the stage for large-cast musicals.
Continue reading “Aside”
American productions grant critics an analytical privilege that’s readily available to all British audiences.
Continue reading “Inter Script”
The exact same play can land differently on either side of the pond.
Continue reading “Rock the Boat”
Why is the barkeep the sole character not to tell a ghost story in The Weir?
Continue reading “The Keep and the Fly”
The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
Continue reading “Pursuing a Bear”
Let’s play another round of “why does this production have an intermission?”
Continue reading “Faw lty”
The stage — especially in a musical — is uniquely positioned to showcase the importance of Joy Mangano’s Miracle Mop.
Continue reading “Joy Over Oy”
When doing what you love is a form of suicide.
Continue reading “Youthanasia”
Welcome to the second installment of Write All Nite’s “Pulling a [Name]” series.
Continue reading “Janet and Bruce”
Typecasting comes in two forms.
Continue reading “Angry John”