The vast majority of subtitled productions project the translated text line by line onto screens around the stage/house.
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Tag: A Crazy Mirror Showing Us Both in 5-D
When the Battle’s Fought and Fought
The ending of Richard Nelson’s When the Hurlyburly’s Done is proof positive of how applying auteur theory can alter analysis of the auteur’s individual works.
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Mount ABBA
My incontrovertibly, irrefutably, undeniably, objectively correct Mount Rushmore of ABBA bangers:
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Size Up
The New York Times’ review of The Brothers Size bumps up against the porous border between objective journalism and subjective interpretation.
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Take a Dink
If an artist benefits from making art about an underrepresented group, should said artist try to use the rest of their career to benefit said group?
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Aside
Given the scale of the spectacle and choreography, theatergoers prefer to sit farther away from the stage for large-cast musicals.
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Inter Script
American productions grant critics an analytical privilege that’s readily available to all British audiences.
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Rock the Boat
The exact same play can land differently on either side of the pond.
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The Keep and the Fly
Why is the barkeep the sole character not to tell a ghost story in The Weir?
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Pursuing a Bear
The inscrutability of Shakespeare’s language is often cited as the primary reason that Americans have little interest in revisiting his plays again and again and again and and and so on and so forth.
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Write All Nite 