My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
Most productions treat entrance applause as a mere break in the action, a pause to allow the audience to celebrate a luminary.
Continue reading “Hold Your Applause”
The Years, or: when trigger warnings double as dramaturgy.
Continue reading “Trigger Unhappy”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
Attention spans are fickle.
Continue reading “The First Gaffe”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Cymbeline, but make it Denis Villeneuve’s Dune.
Continue reading “Cymbelspice”