A small-town serial killer is catnip for our true-crime obsessed era.
Continue reading “Community Hunt”
A small-town serial killer is catnip for our true-crime obsessed era.
Continue reading “Community Hunt”
Over the course of a production’s run, no two performances can be EXACTLY alike.
Continue reading “It’s a Sign”
I’ve seen damn near every filmed recording of a London production that’s been screened in NYC movie theaters.
Continue reading “Out, Damned Camera”
Gypsy is about how art forms shift, and how the birth of the new requires an out with the old.
Continue reading “Her Turn”
The relationship between the personal and the political is an evergreen framework.
Continue reading “Does As He Does”
What do you remember about Pixar’s Up?
Continue reading “Rise and Cry”
The Shrouds isn’t the sole ending in theaters now that feels abrupt enough to have made both of my audiences guffaw at the sheer surprise of the credits rolling.
Continue reading “Resolute”
Contemporary art isn’t shy about discussing abortions.
Continue reading “April Years”
My eyes had the option of gazing upon the luscious sight of Denzel Washington and Jake Gyllenhaal sharing a stage in the flesh.
Continue reading “Colummm”
Most productions treat entrance applause as a mere break in the action, a pause to allow the audience to celebrate a luminary.
Continue reading “Hold Your Applause”