When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”
Ask everyone who sees Queer for a basic plot summary, and you won’t hear many mentions of Judaism, the Holocaust, nor 2001: A Space Odyssey.
Continue reading “But Why Not”
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
It’s always a gas to track overlaps between Under the Radar productions.
Continue reading “DIY”
Memorizing lines is considered a bedrock of stage acting.
Continue reading “Eureka I Am Finding It”
Teeth’s songs skip the typical foreplay of showtunes, opting instead to immediately begin with lyrical shocks to the system.
Continue reading “Wait What’s Wet?”