In an artistic world where it can feel like there’s nothing totally new under the sun, phrasing and context can make the old resonate anew(ish).
Continue reading “Whose Day”
In an artistic world where it can feel like there’s nothing totally new under the sun, phrasing and context can make the old resonate anew(ish).
Continue reading “Whose Day”
Theater has never been the most responsive of art forms.
Continue reading “Two Shows”
What binds this Broadway season’s productions of Here Lies Love and Cabaret?
Continue reading “Here Lies Cabaret”
A monologue-heavy two-hander with a bare set has become all the post-Covid rage.
Continue reading “What the Staging Becomes”
“I’ve never known a miracle not born through pain.”
Continue reading “Mary Me”
Does anyone else remember Anne Washburn’s Shipwreck?
Continue reading “Not Wrecked Yet”Where is the orchestra located in a Broadway theater?
Continue reading “Upstaged”
Can you name a single non-IP musical that has ever turned a profit without a BELOVED score?
Continue reading “MUSICals”
Mary Jane could appear deceptively simple.
Continue reading “Something More”
Here’s another doubling involving Days of Wine and Roses’ angular-roof set:
Continue reading “No Place Like Home”