The foremost chronicler of onstage nudity has logged back on.

Why did modern playwrights stop inserting breaks in between scenes?

If you ask me why a title was chosen to be the primary label for a piece of art, I can scrounge together too many connections between the titular word/phrase and the art’s content. 

Jonah pulls a Madeline Collins.

If you plan to see — and you should — Public Obscenities at Theatre for a New Audience before it closes on Sunday, then take my experienced advice:

If you plan to see Taylor Mac’s Bark of Millions this week, it would be wise to primer yourself beforehand.

Festivals provide a cross-section of what’s tickling artists’ ivories at that specific juncture in time.

Art about the making of art is ubiquitous.