Theater companies love to adorn their building’s interior walls with photos of the productions that they want their audiences to remember.
Continue reading “The Last Fiveteen Years”
Theater companies love to adorn their building’s interior walls with photos of the productions that they want their audiences to remember.
Continue reading “The Last Fiveteen Years”
Where do you expect to hear surround sound?
Continue reading “The Room Where”
Does anyone else miss when New York’s Signature Theatre would devote each season to producing multiple productions by the same playwright?
Continue reading “The Returns”
Only a live performance can utilize the audience’s immediate responses to shape the explicit text of the show.
Continue reading “Tight Elasticity”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Is Wonderful World Broadway’s crossing-the-Rubicon moment for the use of projections?
Continue reading “Not So Wonderful”