Is Broadway history happening in Manhattan this season?
Continue reading “Plural for a Reason”
The Mediums Are The Message
You’ve just crossed over into the reductive zone.
Continue reading “The Mediums Are The Message”
P.S. Fight. The. Power.
A postscript to my screed on original songs appearing in opening credits:
Continue reading “P.S. Fight. The. Power.”
Boogie
The Son and Knock at the Cabin seem to agree with one of my core artistic tenets:
Continue reading “Boogie”
Living Rent-Free
There are two types of people in this world:
Continue reading “Living Rent-Free”
Maybe You Don’t?
On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”
Infinity Forgiven
This year’s Infinity Pool and last year’s The Forgiven share roughly the same plot:
Continue reading “Infinity Forgiven”
Head of Egg
Different types of art can be enjoyed in different ways.
Continue reading “Head of Egg”
Bootif
Horror channels its own Zeitgeist’s fears.
Continue reading “Bootif”
Women of the Mist
How do a cohort of women work together to protect themselves against societally-sanctioned rape in a secluded community?
Continue reading “Women of the Mist”
WRITE ALL NITE 