Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Cymbeline, but make it Denis Villeneuve’s Dune.
Continue reading “Cymbelspice”
Deviating from cliches in art can draw attention to the deviation.
Continue reading “No Chill”
Vanya is about to offer New Yorkers a rare experience.
Continue reading “Vanya and Vanya”
Cameron Mackintosh’s (or is it Matthew Bourne’s?) Oliver! — now at London’s Gielgud Theatre — has the aesthetics of Tommy Kail’s Sweeney Todd.
Continue reading “Reviewing the Situation”
I’m no scholar of antiquity, but my understanding of Greek tragedies is that they oscillate between character scenes and chorus scenes.
Continue reading “Choreous”
When a musical is based on a known property, the powers-that-be seem to believe that adding songs is enough of a change to raise interest in a story that audiences are already familiar with.
Continue reading “Seaside Pub Song”
Unicorn is a dramaturgical thought-experiment.
Continue reading “Trinicorn”
Befitting its subject, Retrograde stages a Raisin in the Sun moment.
Continue reading “Homage in the Sun”