Weather Girl positions the titular stereotype as a performance-art allegory for projecting culturally-popular femininity, and for society maintaining a cheery facade as the world approaches the climate brink.
Continue reading “Let the Sunshine Out”
Weather Girl positions the titular stereotype as a performance-art allegory for projecting culturally-popular femininity, and for society maintaining a cheery facade as the world approaches the climate brink.
Continue reading “Let the Sunshine Out”
Does London’s Almeida Theatre have a contract stipulation that each and every one of their transfers must retain the building’s natural backdrop?
Continue reading “A Streetcar Named Almeida”
Here are my favorite movies — and one show! — that focus primarily on depicting life during Covid:
Continue reading “What We Went Through”
Locked makes me wonder if movies have already crossed the AI rubicon, at least when it comes to voice acting.
Continue reading “Lock It Up”
Casting can change the meaning of a play.
Continue reading “Miniatures”
It’s been said that the bedrock of theatrical expression is the movement of bodies in space.
Continue reading “Bodies Bodies Bodies”
If you seek out dramaturgy unlike anything you expect, get thee to The Tank for The Goat Exchange’s Deadclass, Ohio.
Continue reading “Down the Bear Hole”
There’s a reason that Samuel D. Hunter is considered Mr. Idaho.
Continue reading “Inside the Residency”
The Rule of Jenny Pen is a What Ever Happened to Baby Jane? starring Geoffrey Rush (uncancelled?) and John Lithgod.
Continue reading “Rules”
The final scene of Chaos: The Manson Murders encapsulates this new documentary’s relationship to figuring out the enduring enigma that is Charles Manson.
Continue reading “It Reigns”