Marcello Mio has inherent appeal for cinephiles of nepo-baby lineages.
Continue reading “Dadda Mia”
Marcello Mio has inherent appeal for cinephiles of nepo-baby lineages.
Continue reading “Dadda Mia”
Remember when I hypothesized that Sony envisioned the 2024 documentary Luther: Never Too Much as a marketing slipstream in tandem with Sony’s new Luther Vandross greatest-hits compilation?
Continue reading “Never Too Much Slipstreaming”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
! Spoilers ahoy for The Room Next Door !
Continue reading “Tilda Tilda”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
The specific counters of a theater’s building can inform a production’s staging choices.
Continue reading “Soft Shifts”
Best Picture is the most important Academy Award.
Continue reading “Shorties”
In the spirit of Oscars season, here are my favorite needle-drops from 2024 Cinema, in no discernible order:
Continue reading “Droppings”