The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
2025 Cinema is becoming a chronicle of AI’s continued encroachment onto screens around the world.
Continue reading “(Art)ificial”
Name a major city in America, and I should be able to rattle off a list of countless movies famously shot set on its streets.
Attention spans are fickle.
Continue reading “The First Gaffe”
Differentiation is a form of highlighting.
Continue reading “In Ourselves”
A technical difficulty during my performance of Boop! doubled as a lesson in staging.
Continue reading “Oops”
Manhunt is Nicolas Winding Refn’s Bronson for the stage.
Continue reading “AYM”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Cymbeline, but make it Denis Villeneuve’s Dune.
Continue reading “Cymbelspice”
Deviating from cliches in art can draw attention to the deviation.
Continue reading “No Chill”