Speaking of London theatre double–features and The National’s The Motive and the Cue:
Continue reading “The Motive and the Wireless”
Speaking of London theatre double–features and The National’s The Motive and the Cue:
Continue reading “The Motive and the Wireless”
In case it hasn’t been clear, I just returned from a theater theatre week in London.
When a theater complex houses multiple stages, resonances can be drawn between simultaneous productions.
Continue reading “Olivier-Lyttelton”
Johnny Flynn is the caliber of British thespian all but expected to eventually unleash his Hamlet on the world (or, at least, on London).
Continue reading “To Be…ish”
Is “Teenage Dream” the jukebox musical’s snake-eating-its-own-tail-crossing-the-rubicon moment?
Continue reading “Teenage Stream”
Ambulatory stagings like Guys & Dolls at London’s Bridge Theatre reposition the customary relationship between audience and art.
Continue reading “Guys and Stalls”
I assume most of you know that English-language movies are dubbed in countries where English isn’t the primary language.
Continue reading “Studying Unders”
According to the logline for Misty, the next production at The Shed will follow:
Continue reading “Play Gentrification for Me”
Theater is a localized art form.
Continue reading “Straight Line”
Given theater’s common two-act structure, the intermission break provides a natural spot to insert a cliffhanger.
Continue reading “TBC”