Befitting its subject, Retrograde stages a Raisin in the Sun moment.
Continue reading “Homage in the Sun”
Befitting its subject, Retrograde stages a Raisin in the Sun moment.
Continue reading “Homage in the Sun”
Weather Girl positions the titular stereotype as a performance-art allegory for projecting culturally-popular femininity, and for society maintaining a cheery facade as the world approaches the climate brink.
Continue reading “Let the Sunshine Out”
Does London’s Almeida Theatre have a contract stipulation that each and every one of their transfers must retain the building’s natural backdrop?
Continue reading “A Streetcar Named Almeida”
Despite the vocal consternation over mass desensitization, some imagery still possesses an inherent power to provoke.
Continue reading “Third Rail”
I spent most of Tammy Faye unsure what to make of this new musical’s tone.
Continue reading “Right Kind of Wrong”
Does anyone else remember Anne Washburn’s Shipwreck?
Continue reading “Not Wrecked Yet”
Prediction: theater historians will remember the 21st century for the mass dissemination of filmed productions.
Continue reading “Lost or Gained in Translation”
What do you call the bar that separates adjacent seats in a theater?
Continue reading “Semantics Matter”
Big Money is flooding into New York theater.
Continue reading “AAA”
Financial precarity, thy name is theater funding.
Continue reading “Leave the Language, Take the Production”