The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
The title number in Real Women Have Curves strikes a similar chord as the first scene of Act II in Bess Wohl’s Liberation.
Continue reading “Full Monties”
Attention spans are fickle.
Continue reading “The First Gaffe”
What’s up with British productions staging moments in which their actors exit not only the stage, but the entire theater?
Continue reading “Exeunt”
Vanya is about to offer New Yorkers a rare experience.
Continue reading “Vanya and Vanya”
Does London’s Almeida Theatre have a contract stipulation that each and every one of their transfers must retain the building’s natural backdrop?
Continue reading “A Streetcar Named Almeida”
Here are my favorite movies — and one show! — that focus primarily on depicting life during Covid:
Continue reading “What We Went Through”
Casting can change the meaning of a play.
Continue reading “Miniatures”
It’s been said that the bedrock of theatrical expression is the movement of bodies in space.
Continue reading “Bodies Bodies Bodies”
If you seek out dramaturgy unlike anything you expect, get thee to The Tank for The Goat Exchange’s Deadclass, Ohio.
Continue reading “Down the Bear Hole”
There’s a reason that Samuel D. Hunter is considered Mr. Idaho.
Continue reading “Inside the Residency”