Curtain-calls function as a natural transition between the production’s constructed reality, and our IRL reality that’s waiting for us as soon as the lights come up.

Talking about dance can be like talking about sex:

Kyoto fits snugly in the worn formula of a character guiding us through a historical event and their personal role in it. 

What if too much of too much theater is too verbal?

The NYU Skirball Center seems like an unlikely venue for Samuel Beckett’s Krapp’s Last Tape. 

There are two types of intermissions. 

Even though Honor was not produced by The Wooster Group, the production answered an age-old question for my fellow Wooster faithful:

The vast majority of subtitled productions project the translated text line by line onto screens around the stage/house.