Theater companies love to adorn their building’s interior walls with photos of the productions that they want their audiences to remember.
Continue reading “The Last Fiveteen Years”
Theater companies love to adorn their building’s interior walls with photos of the productions that they want their audiences to remember.
Continue reading “The Last Fiveteen Years”
Where do you expect to hear surround sound?
Continue reading “The Room Where”
Only a live performance can utilize the audience’s immediate responses to shape the explicit text of the show.
Continue reading “Tight Elasticity”
Conventional wisdom says there’s one surefire sign that a musical has a fire score:
Continue reading “Earworming”
When I buy a ticket for a puppet show, I expect the smaller scale, DIY theater that exists in the realm of the handheld.
Continue reading “Dodo as a Dodo”
Staged chaos is an oxymoron in terms.
Continue reading “What Reigns”
The Dan Daw Show’s open captions alter how we process sequences designed to seem potentially off-script.
Continue reading “Open Clarification”
Watching The 7th Voyage of Egon Tichy [redux] can feel like a crazy-making experience, befitting a play about a man driven to-infinity-and-beyond his wits’ end.
Continue reading “Voyage”
It’s always a gas to track overlaps between Under the Radar productions.
Continue reading “DIY”
Teeth’s songs skip the typical foreplay of showtunes, opting instead to immediately begin with lyrical shocks to the system.
Continue reading “Wait What’s Wet?”